So You Want to be a Writer? (Tara Taylor Quinn)
posted by Tara Taylor Quinn
on
Wednesday, May 23, 2007
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I've been unpacking this week. Going through boxes and files that have accumulated over a lifetime, sorting things out, throwing away things that I didn't even know I had. And I found some great treasures, too.
Among them were the early scribblings of TTQ. Now I have to tell you, I've always known I was a writer. From the first story I penned at age six, I was hooked. I titled it "It Happened One Night" and it was about a little girl waking up in bed to find an intruder in the house. She went in to wake her mother and the two of them decided not to wake the dad because he wouldn't be able to do anything anyway. Instead these two females, the child and her mother, took care of the bad guy themselves (the reader is never quite sure how) and then they go back to bed. It didn't occur to me until recently that, for a six year old girl, that story was pretty dark. And telling, too, I'd say. Wonder how my father felt when he read it???
I also find it kind of cool that I now write suspense novels. This validates my belief that I've always known my purpose, always known who I was and what I was here to do. How many people, at six years of age, begin the career that will fulfill and complete them for the rest of their lives?
Wasting time I didn't have to waste, spending time I needed to spend, I delved further into my early writings. And I'm sorry to say, found that, even as a teenager, I was a dark and lonely soul. This newfound knowledge has kind of been driving me crazy this week. What made me this way? Why wasn't I a happy, naive little kid like everyone else? Is this part of the gift? Part of what makes me a writer? If so, I embrace it. If not, well dang, I want to go back and have do overs and think about swinging on swing sets.
The other thing I was sad to find was that I really wasn't very good. I remember keeping journals, pouring out my heart on the sacred pages, thinking I was creating things that other people would want to read if I'd ever let them. Which I knew I never would. Reading these pages now I wonder why I ever thought I was a writer!
They weren't all bad, though. I thought, today, I'd do what I told me back then I never would. I'd let someone else read them. So here goes. This first piece was written after I'd visited my brother's grave with my parents for the first time.
They stand together - he and she
Quietly holding hands, knowing each others thoughts
Together they look down
Together they remember
Do they think of the creation?
The joy, the wonder, the hopes, the awe?
Does the love that created, comfort?
Do they remember the early years?
The fears, the learning, the watching, the growing?
Do the pictures of smiles bring smiles?
She busies herself with cleaning.
Find a cloth; make it shine
He tidies the grass
Pull the weeds; check the flowers
Together they kneel at the stone
Hurtfully accepting, sharing each others pain
Together they grieve
As together they loved.
And this one, when we sold the home we'd built when I was fourteen:
We're closing your doors for the last time.
Does the key in your lock stab your heart?
It stabs mine.
We've decided it's time, it's necessary, it's smart.
We say its for teh best - yours?, ours?
Is it right?
Will you be good to our memories?
Will you hold them close, keep them sacred?
Will you always known who chose that wall, that fixture, that color?
Or will we fade away - be lost?
We're closing your doors for the last time...
After reading books of this stuff, I started to worry about that young girl. Most people just move, don't they? But not me. I had to make it an emotional production.
I'm happy to report, however, that apparently I did have some light-hearted moments. There was the one about going to the store and buying an ink pen. And about making a peanut butter and jelly sandwich. There was a 500 word essay on a pebble. And a dissertation about my two poodles being people. And this following doozy, that's so embarrassing I thought I'd pass it along to leave you with a cringe, and the sure proof that you don't have to show any real talent to become what you want to be. Just believe you have it, believe you are what you want to be, and you can become that person. I'm standing here before you, a living testimony to that fact. Just read on, you'll see!
A lollipop's a simple thing if all you do is lick
The most that will concern you is a flavor on a stick
But if you care to look beyond the simple things in life
You'll see that ev'n a lollipop can cause a body strife.
For what m'dear would you reply if a stranger were to say
Excuse me sir, please pardon me, what stained your tongue that way?
And how can you be sure to know the taste that you are buying,
When colors tell your flavor but sometimes the color's lying?
What if you went into a store with but a dime to spare
And found when you got up to the line they charge a quarter there?
And when you try to take a lick but have a need to speak
You'll find that teeth and lollipops cause rattlin' in your cheek.
And once the lollipop gets wet, you'll see without a doubt
You cannot set it down again unless you throw it out.
It sticks to everything in reach including hair and dirt
And if it slips away from you it sticks onto your shirt.
Another hazard you will find is that it's fragile too
If dropped it shatters on the spot no matter what you do.
And if you try to break the rules and chew instead of lick
You can't unstick it from your teeth or get rid of it too quick
So now you know the moral of the story has to be
Always search beyond the guise of pure simplicity.
Among them were the early scribblings of TTQ. Now I have to tell you, I've always known I was a writer. From the first story I penned at age six, I was hooked. I titled it "It Happened One Night" and it was about a little girl waking up in bed to find an intruder in the house. She went in to wake her mother and the two of them decided not to wake the dad because he wouldn't be able to do anything anyway. Instead these two females, the child and her mother, took care of the bad guy themselves (the reader is never quite sure how) and then they go back to bed. It didn't occur to me until recently that, for a six year old girl, that story was pretty dark. And telling, too, I'd say. Wonder how my father felt when he read it???
I also find it kind of cool that I now write suspense novels. This validates my belief that I've always known my purpose, always known who I was and what I was here to do. How many people, at six years of age, begin the career that will fulfill and complete them for the rest of their lives?
Wasting time I didn't have to waste, spending time I needed to spend, I delved further into my early writings. And I'm sorry to say, found that, even as a teenager, I was a dark and lonely soul. This newfound knowledge has kind of been driving me crazy this week. What made me this way? Why wasn't I a happy, naive little kid like everyone else? Is this part of the gift? Part of what makes me a writer? If so, I embrace it. If not, well dang, I want to go back and have do overs and think about swinging on swing sets.
The other thing I was sad to find was that I really wasn't very good. I remember keeping journals, pouring out my heart on the sacred pages, thinking I was creating things that other people would want to read if I'd ever let them. Which I knew I never would. Reading these pages now I wonder why I ever thought I was a writer!
They weren't all bad, though. I thought, today, I'd do what I told me back then I never would. I'd let someone else read them. So here goes. This first piece was written after I'd visited my brother's grave with my parents for the first time.
They stand together - he and she
Quietly holding hands, knowing each others thoughts
Together they look down
Together they remember
Do they think of the creation?
The joy, the wonder, the hopes, the awe?
Does the love that created, comfort?
Do they remember the early years?
The fears, the learning, the watching, the growing?
Do the pictures of smiles bring smiles?
She busies herself with cleaning.
Find a cloth; make it shine
He tidies the grass
Pull the weeds; check the flowers
Together they kneel at the stone
Hurtfully accepting, sharing each others pain
Together they grieve
As together they loved.
And this one, when we sold the home we'd built when I was fourteen:
We're closing your doors for the last time.
Does the key in your lock stab your heart?
It stabs mine.
We've decided it's time, it's necessary, it's smart.
We say its for teh best - yours?, ours?
Is it right?
Will you be good to our memories?
Will you hold them close, keep them sacred?
Will you always known who chose that wall, that fixture, that color?
Or will we fade away - be lost?
We're closing your doors for the last time...
After reading books of this stuff, I started to worry about that young girl. Most people just move, don't they? But not me. I had to make it an emotional production.
I'm happy to report, however, that apparently I did have some light-hearted moments. There was the one about going to the store and buying an ink pen. And about making a peanut butter and jelly sandwich. There was a 500 word essay on a pebble. And a dissertation about my two poodles being people. And this following doozy, that's so embarrassing I thought I'd pass it along to leave you with a cringe, and the sure proof that you don't have to show any real talent to become what you want to be. Just believe you have it, believe you are what you want to be, and you can become that person. I'm standing here before you, a living testimony to that fact. Just read on, you'll see!
A lollipop's a simple thing if all you do is lick
The most that will concern you is a flavor on a stick
But if you care to look beyond the simple things in life
You'll see that ev'n a lollipop can cause a body strife.
For what m'dear would you reply if a stranger were to say
Excuse me sir, please pardon me, what stained your tongue that way?
And how can you be sure to know the taste that you are buying,
When colors tell your flavor but sometimes the color's lying?
What if you went into a store with but a dime to spare
And found when you got up to the line they charge a quarter there?
And when you try to take a lick but have a need to speak
You'll find that teeth and lollipops cause rattlin' in your cheek.
And once the lollipop gets wet, you'll see without a doubt
You cannot set it down again unless you throw it out.
It sticks to everything in reach including hair and dirt
And if it slips away from you it sticks onto your shirt.
Another hazard you will find is that it's fragile too
If dropped it shatters on the spot no matter what you do.
And if you try to break the rules and chew instead of lick
You can't unstick it from your teeth or get rid of it too quick
So now you know the moral of the story has to be
Always search beyond the guise of pure simplicity.
Patricia Potter
Tara Taylor Quinn
Maggie Shayne
Anne Stuart
Suzanne Forster
Lynn Kerstan















3 Comments :
I absolutely loved that lollipop poem. It was way better than anything I ever wrote when I was younger. I find it interesting how you mention a lot of your earlier writing was dark. A couple of years ago I was going through some of my old papers and found much of my writing was dark, especially my poems. I always thought maybe it was because my brother had been killed in a motorcycle accident when I was five. That it had taught me how fragile life can really be and that we are in fact not immortal as we often think we are when we are young.
Great post.
Sherry
I agree with Sherry. What a terrific post. I started with wild horse stories when I was seven, but never anything with the depth of feeling in yours. No wonder your books are so good.
I'm with the lollipop poem gang. It's great and very insightful.
Some day I'll work up the nerve to give poetry another try. I took a class many many years ago and the instructor chose my poem to use as an example of what not to do.
(sigh)
Suz
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